Anxiety for creativity

Discussing the role of the brain in creativity is something like discussing the role of the carparts in riding. It usually leaves out the part of the one who steers the brain. But even so, with the use of technologies, e.g. MRI we can observe what parts of the brain are active when we make music or solve a problem. Howard Gardner discovered that specialisation of brain exists calling this different intelligences. A musical intelligent brain uses different parts of the brain more than a maths / reasonning brain. The question is, is this due to a preference of the soul that shapes the brain as it matures, is it shaped through nurture or is it innate? I know a psychiatrist and he is not too happy with my idea about the existence of the soul. We differ in opinion. Through meditation I've experienced some of the potential of the soul. I've seen this explained in an article on thinking. Thinking with the soul is another level of thinking that surpasses the rational and programmed and preference.

In this paper, the role of anxiety is discussed in performing music. In an anxious experience, I percieved myself outside of my body. As if I were a soul looking down at my body. Thoughts seemed to have endless time. I was in a place quiet. Untill I drew back into my body. But knew then what to do. Maybe playing music with the abilities of the soul is induced by some anxiety.

brain noise or brain music?

In 2006 Pouget discovered that brain noise fits well a Poisson distribution, implicating the sound of the brain fits Bayesian computing. Neurons are not just randomly making noise, this noise is meaningful.

I propose an idea that the brain is a music instrument, and intuition it's meaningful overtone. Maybe this is why we can love music, it reflects our own thinking, musical brain, always busy to search accordance between firing neurons. Now my question is: if you believe in g'd, who plays the instrument? Is it the brain (the machine), is it the soul or is it g'd, or is it a combination of all three?

It would mean that communication results in sound in the brain. Do we translate all input of our senses (partly)into sound? Or is it just the decision making that is accompanied with Bayesian computing?
Is playing the instrument pulling snippets out of a library of meaningful ideas? This research of Pouget inspires me. And even though he focusses on the machine and I on the player and designer, I'm curious about how it continues.